I just wanted to say...

I just wanted to say...

A Very Old Man with Enormous Wings

TheatrePosted by Pete Nov 28, 2011 16:34

The one where Kneehigh team up with Little Angel?

The Little Angel Theatre are celebrating their 50th year, and teaming up with Mike Shepherd and Kneehigh Theatre company for their production of A very old man with Enormous Wings, they have everything to celebrate for, and deserve to shout and pop a few champagne corks throughout this wonderful production.

As I mention puppets, many of you will instantly sneer, or even hover over the X in the top right hand corner. DON’T! Stick with me, I want to change your preconceptions, for this is no way a take on a shabby Punch and Judy, and I would easily place a wager that in seeing this production you would definitely reconsider your thoughts, maybe even book to see it again.

How can I be so confident? Because to put it simply, Little Angel and Kneehigh have create a piece of theatre that is visually stunning and all together rather beautiful. It’s enchanting and I found myself completely focussed on the little stage as they evoked every sense of my imagination. Doesn’t sound like your average puppet show huh?

We arrive in a little seaside village that has been overrun by lots of crabs. The first scene sees the villagers battle to remove them from every nook and cranny. A local boy has also been extremely feverish for some weeks and there is concern that he may not pull through.

Until, during a storm, an old man with “enormous wings” comes crashing down on the shore, his fluttering fills the theatre as he battles to continue his flight. As the storm passes the villagers quickly venture out to see what this angel?, chicken?, mythical creature is. What’s more is that they realise that their crustaceans problem has been eradicated and the little boy is suddenly fit and healthy. How did this happen?

A couple quickly capture the man and cash in on his healing powers, but by act two we realise that the whole village has managed to spin this good fortune, as the tour buses arrive in their droves and American tourists are ready to splash the cash for a quick photo. The lovable nosy neighbour who guides us through this tale even opens up a tea room.

The team of highly skilled puppeteers, Sarah Wright, Roger Lack, Ruth Calkin and Rachel Leonard work their way through some 100 puppets in this production, singing and characterising a whole community of puppets, and they do so with ease. For those who think puppetry is easy, you’d be wrong as it is very skilled art to get the audience to focus on the puppet rather than the manipulator, and to believe that the puppet in hand is actually thinking, breathing and believeable. As you would expect with 50 years experience, this really isn’t an issue for this talented team.

The piece, set on an inventive design by Little Angel founder Lyndie Wright, really submerges the audience in this tiny world, and I couldn’t help but think half way through how truly special this experience was. After seeing shows night after night, it takes a performance such as this to really wake you up and witness some true creativity, I left the theatre with an experience not just 90 minutes of entertainment, and that is something really special.

Happy Birthday Little Angel Theatre, and here’s to the next!

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